Simultaneous Travel: Starting From The End Of The Earth

In the crowded landscape of Xianxia and multiverse-hopping fiction, Tian Ping Wei Yang’s Simultaneous Travel: Starting From The End Of The Earth carves out a refreshing and chaotic niche. While many novels follow the tired trope of a protagonist slowly conquering one world at a time, this story flips the script by having the protagonist, Yuanliu, exist across countless realities simultaneously. The catch? In every single one of these worlds—from the high-stakes cultivation of Mortal to the vibrant landscapes of Pokémon and the gritty seas of One Piece—he starts as an outsider, a mole, or an underdog facing insurmountable odds.

What makes this novel truly compelling is the sheer ambition of its premise. Instead of a linear progression, readers are treated to a mosaic of identities. One moment you are witnessing the philosophical brutality of his Mortal incarnation—where he literally burns his own soul to become a deity—and the next, you are swept into the strategic maneuvering of his Five-leaf grass persona. The Golden Finger mechanic, which allows him to share memories across his fractured selves, serves as the glue holding this narrative sprawl together. It turns the protagonist into a grand architect of his own destiny, using the failures and breakthroughs of one world to fuel the survival of another.

The writing style is punchy and poetic, particularly in its exploration of the darker, more visceral aspects of the cultivation path. The dialogue, especially the mantra of the Kiriyama Genryu, reflects a deeply introspective and slightly unhinged philosophy that elevates the story above typical power-fantasy fare. If you are looking for a relentless, fast-paced epic that demands your full attention, this is a masterpiece of the multi-world subgenre. It is a bold experiment in storytelling that rewards readers who enjoy complex character arcs and creative world-building.